3, the Central Conservatory of Music Professor Guo Wenjing's Bamboo Flute Trio Professor Lee pointed out, Guo Wenjing, a major feature of music lies in the extreme simplicity and limits the creation of a rich, constantly better ourselves. This is also reflected in this work, that is, using a limited range (no bass and tenor area) of the same family of instruments (there is no comparison tone) and write the ensemble. This work includes three movements, the first movement of three movements of the main speed layout was incremental state.
Professor Lee focuses on analysis of the third movement, her most notable feature of this movement will be summed up as For example, only the beginning of a sound, music from the essence, not only is a single line, but a mono line, but the difference between a three-part film using micro-polyphonic imitation, is the first to enter the voices an accent is a rhythm-based unit, after two consecutive change to the rhythm of stress and stress Silent three units, which Enthone in this three-part stress points scattered gained momentum. The second part of the development from a single audio tone and three tone into two. And because the three-part melody lines pass in rotation makes music more agile, more flashing colors, and great virtuoso of.
structure, the structure of this work has multiple meaning, exhibition combines variation Yan,CHI Ceramic Flat Iron, swing structure and the two structures. Many songs start from a single E sound, but also contains several flexible speed change and return of materials, which are the characteristics of a swing structure. The music macro speed, image,CHI Ceramic, mood music, but also makes arrangements with two characteristics. Materials processing and development of music, there are variations show the characteristics of derivatives.
musical material and its operation, using a non-subject material processing (a single tone or two from the three sounds of crushing material). This one two, two three is written in Chinese traditional music is very common, but also for the processing of instrumental music. Most of the materials of which the sound of the five, but there are also changes in tone or interval changes in participation. The sentence read music with a second sound superimposed block.
This may also be written for the percussion music of traditional Chinese and Western modern music inspired minimalist school of thought, and to absorb the multi-tone tuning pointillism free conversion and other modern technology.
4, Qu Xiaosong, Professor of the Shanghai Conservatory of Music dance music of. Music is inspired by Chinese calligraphy creation is made with extremely long, slow, relaxed breathing. Composers often like to use the least sound, the most simple means of art, to express his feelings for the universe. But the climax of the musical parts, will throw open the doors to show,CHI Ceramic Iron, full of wild and wild character. This work is divided into nine sections (because it is a group dance), each of which some are relatively independent, and therefore the number of segments of its portfolio or order of arrangement are relatively free.
Q & A session:
1, Q:
with a blend of Chinese and Western techniques and ideas, concern about Eastern thought and culture of Western composers have created contemporary Chinese composers What similarities and differences?
A: The integration of such exchanges long, but today, under certain conditions greatly expanded. Always search for new artistic creation of the aspirations and tendencies. Concerned with the integration of Western composers East West Chinese composers have different perspectives, their own interpretation of foreign culture and the depth of interpretation varied, but the legitimacy of these interpretations have. In the following lectures will be mentioned in Zhou Long's opera You can either say it is an American opera, it can be said that a Chinese opera.
2, ask:
(1) the existence of Chinese composers anxious question?
(2) how the classification of contemporary music?
A: (1) the reform and opening to the world (including art) such a huge change, anxious state of mind is bound to exist. So before you now need to learn and absorb a large number of complex elements of digestion and integration. Also, to understand the overall cultural inheritance of human development, is still the need for traditional (including China and the West) have a solid accumulation.
(2) first classified according to the research interests. Secondly, and perhaps in no hurry to classify, but to go through a process of precipitation and accumulation, to a considerable extent in the development of more appropriate time to make the comb.
3, Q: contemporary music, the difference between Chinese and Western musical instruments legal system problems and their solutions?
A: The legal system of different musicians for differences in attitude and approach are different. Some people are very harsh for this difference. But others believe that the existence of this difference is acceptable. The key depends on the specific approach is appropriate.
4, Q:
(1) China's contemporary music in the tone of the ambiguity and Debussy on
(2) the structure of Chinese contemporary works of music structure in the course of development of Chinese music in which innovation?
A: (1) no direct link between the two, but the art requires a certain degree of ambiguity and mystery, of different peoples and nations in this regard may have some commonality.
(2), as reflected in the contents of the talk at every person in the creation of different factors on the impact of Chinese culture have different levels of knowledge, which will be absorbed from a different point of view of traditional Chinese music elements and eventually form their own personality traits.

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